A hauntingly beautiful and dramatically chilling work, Two Boys marked the “auspicious operatic debut” (London Independent) of composer Nico Muhly when the piece premiered at English National Opera in 2011. The opera explores identity and desire in the shadowy world of the Internet as a detective investigates the stabbing of one teenage boy by another—and discovers a tangled web of online intrigue. Loosely inspired by real events, director Bartlett Sher’s production includes striking video projections by 59 Productions (Satyagraha, The Enchanted Island), while Muhly’s score—featuring lyrical vocal writing and “shimmeringly ecstatic choruses” (London Telegraph) —“finds an exciting new musical language” (Wall Street Journal) to capture the mysterious realm of cyberspace.
A Talk with Nico Muhly
Nico Muhly discusses the creation of Two Boys at an exclusive pre-curtain event for ticketholders to the October 25 performance. Space is limited so please email@example.com to RSVP.
“A landmark in the career of an important artist…a work of dark beauty”
(The New York Times)
|Dates & Times:||November 1 – 17, 2013
Fridays at 8pm, Saturdays at 4pm and 8pm, Sundays at 2pm
|Location:||at MTC Studio Theatre
246 Post Road East (Lower Level) in Westport, CT
(Click here for directions)
by Terrence McNally
Legendary opera diva Maria Callas takes us to one of her famous master classes, where, late in her own career, she dares the next generation to make the same sacrifices and rise to the same heights that made her the most celebrated, the most reviled and the most controversial singer of her time. She’s glamorous, commanding, larger than life—and drop-dead funny. This Best Play Tony Award winner is from the playwright of “Frankie and Johnny in the Clair de Lune” and “Love! Valour! Compassion!”
“Rich, vivid, satisfying theater… An involving meditation on Callas’ life and the nature of her art.”
The whole Spanish theme chosen for our season 2013-2014 was inspired by a message we received via email from our friends , (a)phònica, Festival de la Veu de Banyoles, another Festival of the Voice, located near Barcelona, which seems to have a very similar format to ours, Alda Rodriguez, their spokeswoman started a conversation and the fantasy of ” connecting” our endeavors took birth.
To honor our new friendship that could only grow, we have decided to dedicate our fifth Anniversary to the beautiful Spain.
We will let you know on a regular basis our progress with our” sister” festival and the fruits of our ongoing conversations.
A graduate of the Cooper Union, with a degree in Fine Arts, Mr. Siff began to study voice, and made his debut as a tenor in 1970. For the next decade, he performed roles in opera, operetta and musicals in the New York, at The New York Shakespeare Festival, Circle in the Square, Playwrights Horizons, and many other venues. Turning to cabaret, Ira created an act using vocal parody of opera, jazz etc
Their DVD, La Gran Scena Live in Munich is a favorite party tape for opera lovers. As Madame Vera, prima “donna” of La Gran Scena, Mr. Siff has appeared as a soloist in parodies of “diva farewell recitals”, called The Annual Farewell, all over the world, and had guested with serious opera companies, as well as appearing on Public Radio for two years in New York City. Madame Vera’s DVD, The Annual Farewell Recital, received rave reviews when it was released by VAI in 2004, and has become a sought-after item in the U.S., U.K., and Europe.
He is pleased and proud that Gran Scena is a favorite of many opera world luminaries, including James Levine, Leontyne Price, Joan Sutherland, Renata Scotto, Sherrill Milnes, Aprile Millo, Anna Moffo and many others.
For the past thirty years, Mr. Siff has been a voice teacher and interpretive coach, teaching in New York, Italy, Israel, Holland and China, giving Master Classes for the Met Opera Guild, and was on the faculty of the Renata Scotto Vocal Academy. In 2000, he turned to stage directing, gaining critical acclaim for his production of Tosca, starring Aprile Millo, and his semi-staged Les Huguenots at Carnegie Hall, starring Marcello Giordani. He then went to Copenhagen to stage Offenbach’s La Grande Duchesse de Gerolstein. Following Madama Butterfly in Lima, Mr. Siff donned his diva outfit for Gran Scena’s 20TH Anniversary Season in New York, then traveled to Boston to direct an award winning production of The Mikado, then back to New York for another Butterfly, to Sarasota Opera to direct a critically acclaimed Lucia di Lammermoor.
He returned to Carnegie Hall in March 2002 for Adriana Lecouvreur, starring Miss Millo, Dolora Zajick and Marcello Giordani, and Lima for Il trovatore. After a highly successful Canterbury Opera, New Zealand Cosi fan tutte, conducted by Richard Bonynge, Ira took La Gran Scena for farewell performances in the Liceu Opera House in Barcelona, and staged Cavalleria Rusticana and Pagliacci for New Jersey State Opera, and Die Fledermaus for Utah Symphony and Opera. He returned to New Zealand for La Traviata, for which he also designed the costumes, to Sarasota to direct Werther, and Carnegie Hall to semi-stage La Gioconda for Aprile Millo. 2004/5 brought critically acclaimed work on La fanciulla del west with Miss Millo for Opera Orchestra of N.Y., Dido and Aeneas for New York Chamber Opera, and Lakme at Sarasota Opera.
May 2005, included three Annual Comeback Recitals by Ira as Madame Vera at Symphony Space, and an appearance as Vera at Avery Fisher Hall hosting and singing in the Music For Life Gala. In July, he directed La sonnambula for Sumi Jo at The Caramoor Festival, followed by La Boheme for Puerto Rico Opera. February 2006 brought a reprise of Lakme starring Eglise Gutierrez, this time in semi-staging at Carnegie Hall. In March 2006, Madame Vera celebrated twenty years of Annual Farewells with three sold-out recitals at Symphony Space (reprised in May, 2007 and 2009).
Ira directed Turandot starring Sharon Sweet in Princeton, March 2007, and in the summer of 2007 at the Tanglewood Music Center, directed Cosi fan tutte, conducted by James Levine. He returned to direct the Opera Scenes program there in 2008, and returned in 2009 to direct Don Giovanni, conducted by Maestro Levine, and in 2010 Ariadne auf Naxos conducted by Christoph von Dohnányi, all to great critical acclaim.
In addition to directing, singing and teaching, Ira Siff writes for Opera News, as a feature writer and CD and DVD critic, and writes CD notes for Opera D’Oro. For five seasons he has been the Guest Commentator on all the Saturday afternoon Metropolitan Opera radio broadcasts. In 2008 he semi-staged La sonnambula at Carnegie Hall for Opera Orchestra of New York starring Ms. Gutierrez, restaged his Tanglewood production of Cosi for Naples Opera, and was a guest teacher of bel canto technique at The Royal and the Amsterdam Conservatory in The Netherlands where he returned in 2009, 2010 and 2011, and has now been appointed Permanent Guest Teacher.
He has also given master classes in bel canto and verismo for the Metropolitan Opera Guild every season since 2008. Broadcasting from the Met has somewhat put directing on hold, the exceptions being two productions close to New York – Die Fledermaus for Opera New Jersey, and Don Giovanni at Tanglewood, conducted by James Levine.
In the summer of 2010, Ira returned to Tanglewood to direct Ariadne auf Naxos for Maestro Levine, who was out with back surgery, so Ira collaborated with Maestro Christoph von Dohnányi. Ira lectures on opera twenty times a season for two private classes. He returns this season as Weekly Commentator on the Met Broadcasts for the sixth year.
The idea not officially accepted is to have a gigantic restaurant/block party after the opening of the festival, next Summer.
Restaurants would collaborate and present a succulent menu, one big table in one of Phoenicia’s street. more later.. hopefully this project will be welcomed by the community!
Performing for the second time the devils of Loudun, by Penderecki.